Friday, August 23, 2024

FOREVER AND EVER by Janet Lambert




I am informed right up front that this is NO LONGER PROPERTY OF EUREKA-HUMBOLDT LIBRARY. So my volume has been across the whole nation to get into my hot little hands! And how do I repay it? By reading it two years ago and taking copious notes and then never writing anything down. Oh yeah, we’re deep in the weeds here. I am going to attempt to remember my thoughts by reading the notes that I vaguely scrawled in the margins as I read. I am not optimistic…

Chapter One is a lot of exposition. The Campbell children (or teens, Sandra is a college freshman, Josie is fifteen and I think by now Tenny is eleven, or maybe he is always eleven, he seems very eleven all the time) are living with their grandmother in Crawfordsville, I mean Wallaceville, Indiana. They are poor and smushed into a little apartment because their parents are selfish mutton heads who think only of themselves and their own creative pleasures. Sandra has a beau named Jay who lives in New Jersey and is ITALIAN! He’s so exotic! He is at Princeton and quite rich and wants Sandra to marry him right now because sometimes early marriage is okay if you know it is for real love and Janet Lambert sanctions it. 

Grandma loves having the kids around, but Sandra is mopey, Josie is making the best of things and Tenny is eleven-ing. I think Sandra needs some new dresses to be able to attend dances to make sure Jay is the one for her, but I find her so dull I can’t really keep track.


In Chapter Two the drama starts right up! There’s a bit of Josie worrying that Sandra can’t join a sorority because their clothes suck, but then she remembers that her mom is a semi-famous artist and she has a bunch of pictures she can sell to finance Sandra’s glow up.  When Josie gets to school Janet points out all that she loves and has her think, “My country gave these to me…My country wants me to have the best.” I mean, it is true, but Janet is SO in love with America, it doesn’t feel like something a fifteen-year-old would think of.

There is going to be a play! An alumna of the high school who is a director in Chicago is doing a try-out of a play that her friend has written and the senior class is going to do it, by force if necessary. (Unless they are on the baseball or track teams because, boys.)

Josie has no plans to audition for a lead like her friend Carola, so she helps Carola with her English accent, but Carola sucks, Josie is compelled to audition by the director and she kills it. Carola is pissed, but Josie begs her not to be mad and says that the horribly named Teal Landis will probably get the lead anyway and please don’t be mad because she has never had friends before and doesn’t want to lose any because of a part she doesn’t even want! There is a nice bit of possible foreshadowing. “Because of not knowing that some girls get over being mad when it suits their purpose, and never having encountered feminine rivalry, she had not thought of Carole’s being insincere.” And since it has been over 2 years since I read it, I can’t remember if this comes up or if Teal is the bitch-baddie we always get. So excited to find out!


Chapter Three we meet Mike (Anna Harding) McCabe. She is a poor little rich girl who has five popular older sisters and just wants to be a boy. She falls in love with Josie immediately. Or in Janet universe, she is a tomboy who needs a friend. I mean, both of these things could be true. At any rate, she is a delight, drives a pony cart and is every bit the iconoclast that Josie is. She and Josie set about selling the paintings. 


Chapter Four is the callbacks for the play and since the paintings are selling and the Campbells are now going to be conveniently loaded, Josie can actually afford to take a lead part. And she gets it, because she is awesome. I asked myself in my notes at the top of the chapter if Josie was a manic pixie dream girl and I think we all know she is, but I still love her. The BMOC, Barry Considine will be playing Ronald MacDonald, the romantic lead, not the hamburger clown.  Barry offers to drive Josie home and is stunned to be turned down for Mike’s pony cart. That’s how they get you, Barry. 


Chapter Five opens with me getting a little weepy. Josie is telling Sandra about their windfall and she says, “We’re Americans at last!” and when Sandra asks for clarification she says, “ Why, we’re in things, silly. We belong to things. No more reefing sails and staring lonesomely at miles and miles of water, no more sitting in the prow of the Pakhoi, etching other kids to go yacht-club dances, no more wishing and aching for friends.” Poor Jo, didn’t even know how lonely she was, the way Sandra did. 

And I have to say, Janet is really great at big picture propaganda. Her details are sometimes off, but she can define a teenage problem really well. Barry invites Josie to run lines and when she meets him at the library she finds he has brought a wingman, the deplorable Hazlitt Aleshire who has the undeniably cool nickname Haze, but is a giggler - “the high-pitched, constant kind”. So gross. They work on the script until the library closes. Barry has to go off to another date and Haze is supposed to see Josie home. She tells him there is no need, she has her trusty roller skates with her.  But even though earlier in the evening he told Barry, “She’s a dim-wit if I ever saw one” he seems reluctant to let her go off on her own. But apparently his only purpose is to teach her about high school jealousy and let her know that Ruthie is going to want to kick her ass. Helpful, Haze, you jerk. Josie is freaking out, but Sandra calms her down, saying, “Gossip and troublemaking come easy to some people [She’s looking at you, HAZE] but that doesn’t mean they’re founded on facts.” Josie decides she is just going to hang with Mike. Solid plan, Josie. 


Chapter Six is more of Josie being awesome. She confronts Ruthie in the kindest possible way and lets her know that she is only interested in Barry as a scene partner. And Janet gets some more licks in on the evils of going steady. Then Haze and Hal horn in on Mike and Josie’s date to drive out in the country. When Haze and Mike amuse themselves swinging on a vine, Josie attempts to get to know Hal. At first he is a jerk and barely engages in the conversation. But when he realizes that Jo is actually interested in getting to know him, he thaws. At one point he says, “I’m retarded” as he discusses his struggles in math and it is quite a punch. Nice that that word is so far from common use that it stands out like that, but weird to see it again. He talks of his plans to join the military and eventually be a gentleman farmer. Josie talks of her dream of having a house full of Campbells, kittens and fun. 


Chapter Seven begins with Tenny earning my undying love by telling Josie, "I couldn't have stood the creep that giggles all the time or that grouchy character.”  Someday, as God as my witness, Tenny, I will figure out how old you actually are. (Okay, just read the first intros again, he is 10, but in 8th grade. So mature!)

Jay is coming for a visit and apparently that means that clothes are important. I am so glad I only care if my clothes are comfy and cover most of my hinder. Also, the Phi Kappa Thetas are desperate for Sandra to join them and they help her put her money worries, and Josie worries, to rest by getting her work study jobs and promising to rush Josie so that she and Sandra can live together next year at college. They are nice sorority girls!


Chapter Eight is just about how horrible those parents are. Sure, they are smart and creative but they are clueless about their children to the point that it isn’t even entertaining. They sent a letter saying that not only are they not coming to Josie’s graduation, but they expect the kids to come down to Haiti to sail with them all summer. They are just the worst. Also, Hal likes Josie, but is clueless about the fact that she is not in the boy business. 


In Chapter Nine, Jay saves the day with a great idea. He and Sandra and Josie are going to go to Haiti and sail the folks back to New York. Tenny will stay with Grandma’s tennants (cousins I think) who are childless and like his weird energy. And Josie is inviting Mike to come with! They are the best of friends and it is adorable. And there is a nice bit about how for the next month, until they leave, Mike will be the center of her family’s attention, perhaps for the first time. Josie decides she doesn’t want to go directly to college at 16 and will stay in New York and be her father’s typist and go to museums. She loves those dreadful parents. 

And also Sandra is crowned queen of the May or something.  And Tenny is doing some middle school Skibide-toilet precurson rhyming slang. 


Chapter Ten has Sandra swooning over the idea that she has been to a dance. And Jay was a delight. Jo is getting all kinds of attention now that everyone knows she’s Haiti-bound. Ruthie and Barry have had a fight and now he is making a play for Josie at rehearsal and she is having none of it. She thinks going steady is stupid and is horrified that Ruthie and Barry’s folks are on the fence about them going to college together, married. And it occurs to me that my grandparents were not supportive of my Dad and my Mom going steady and I have the letter where he apologizes to her for it. What a treasure! Anyhoo, back to the fiction…

We find out in an aside that Hal’s father beats on him - perhaps it’s metaphor? So Barry ends up really asking Josie for advice and she basically tells him that if he’s too stupid to figure this out on his own, he’s too stupid for a wife. Which is pretty solid advice. He tries to get back in with his gang of bros, but they have dates and stuff and he is left alone to contemplate his fate. 


Chapter Eleven starts with Ruthie just freaking debasing herself, asking Josie to pity date Barry to the senior picnic so he won’t date Teal. It’s sad and Janet does a great job of showing how pushing relationships can be terrible. Everyone gets their costumes and complains about it, except Josie who remains a delight. Then Barry asks her to the picnic and she says yes, but when he wants to hang out she says no and goes to find Haze because “Hazlitt’s giggle was more pleasant to listen to than Barry’s troubles.” HA! 

At the picnic a “blubbery” boy (oh, Janet… you just hate the fat so much…) puts a snake down Josie’s top when she is trying to keep him from being horrible and she ends up taking him down in a completely badass way. Afterwards, she takes the little snake into the woods to set it free and also barfs from the experience, but no one sees. And Barry comes to tell her that she is awesome and he is going to try to be less of a jerk. Fingers crossed!


Chapter Twelve is all about Josie’s nerves about the play. Mike is concerned that they have too many clothes for the boat, but Josie reassures them that it will be fine because she knows that they are in love with the clothes (and the attention). Jo is FREAKING OUT over the play. Everyone is trying to distract her, Hal whines about joining the army, Mike is getting Pet shod, it’s all go. Haze and Barry come to get vines because the playwright, Miss Skinner has said that the set is all wrong, and Josie helps and that takes her mind off it. But she is still sure she is going to mess it all up. Spoiler: she does not.


Chapter Thirteen is why I love Janet Lambert so much. She perfectly captures what it is like to be in a high school play. The nerves, the rallying, the feeling that you want to do it again and again. She talks about the aftermath and how the girls in the dressing room tell each other how amazing they are as “the swarming bees of compliments began to fly again.” It is just perfect. Josie is transendent and nobody else messes up too much. 


Chapter 14 is the last one and it starts on a high note as Jay talks to Sandra asking if it is okay if Scott sails with them. It’s a hard no from Sandra. The girls are about to leave for the airport and everyone wants to say goodbye. There is some nice time with Grandma telling the girls how proud she is of them and all Josie’s classmates come by the house to wave them off. And away they go. It’s kind of abrupt, but my favorite line is “She and Josie were going down to Haiti, not to depend on their parents, but to get them back where they belonged.” Even Janet knows that they are disappointing parents. But their kids are all right!


Tuesday, August 8, 2023

ALA June 2023

It seems all so long ago! When I was excitedly planning my summer travels I thought - "I shall religiously keep a photo-journal the whole road trip so I don't forget a thing!" Well, that did not happen. But I will endeavor to put up some of the highlights before it is all just a blur in the partially cooked spaghetti squash that is my brain.  SO this is the part about the American Library Association Conference. My first!

 This is the first day in Chicago when Laura and I met up with my friend Julia (not pictured) who was a member of the esteemed Caldecott committee this year! We did, in fact, horn in on their fancy tea at the Russian Tea room. We talked of the awards process and libraries in general and it was a great start for our experience. 


This is the view from my seat on the floor during the opening event. Don't ask how long it took for me to stand back up again. When Judy Blume is speaking and the only seats are on the floor, you sit on the floor! She was fascinating and delightful and you can read all about it here - https://www.slj.com/story/Judy-Blume-Kicks-Off-ALA-Annual-Talking-Censorship-and-Thanking-Librarians


The vendor floor was massive and at the beginning was not the terrifying (yet invigorating) press of humanity it later became. 


For example, this was the line for Jason Reynolds' book signing. Well, and Jason Griffin, too. But I think we all know for whom the line winds! 
By the end of the conference it was just thousands of librarians carrying hundreds of pounds of free books, begging publishers for just one more tote bag!

One of the best parts of ALA is getting to talk to writers and I stood in line and got books signed and fan-girled with the best of them. These are three of the writers I got to meet and actually remembered to take pictures of them. 

Wendy Loggia and I chatted about the crazy number of interviews she had with Taylor Swift to write her Little Golden Book biography. (The crazy number was 0, but Wendy regrets nothing and stands by her research!) 

I told Jen Ferguson how I had to be hounded into reading her amazing SUMMER OF BITTER AND SWEET by my bossy friend Shilpa, and how we both became obsessed with her book and all the ice cream she mentioned and how we demanded its inclusion on the Mass. Teen Choice Book Award list. I mean, no one argued with us, but we were strident

I also got to meet the charming Ryan La Sala and tell him how much THE HONEYS freaked me out and he assured me that his forthcoming book THE BEHOLDER would put me in a coma.



AASL has its annual national meeting at ALA which Laura and I attended on behalf of MSLA. It was the whole reason we were there. And did I take any pictures? Well, yes! I was seated next to the head of libraries for the Lincoln Nebraska Public Schools and she was telling me about their amazing elementary school curriculum, so I took a picture of that. 

What can I say? I am a giant nerd.









There was some excellent professional development offered, including this one where we learned about pairing primary sources with graphic novels into the perfect slurry of research, history and student engagement. 


                                                                                                                                    Not to brag, but I tied for second place in Library of Congress trivia and won a very cool, and pretty, Library of Congress tee shirt (not pictured) that I have nearly worn to shreds already. 





















And of course Laura and I represented MSLA with perfect decorum on all occasions. This include one of my lifetime dreams - to attend an after-hours party at an art museum. We attended the Rainbow Roundtable 50th Anniversary Gala at the Museum of Contemporary Art AT NIGHT!! (This is from a person who is rarely awake after 8:30 pm.) It was a wonderful event that celebrated this section of ALA that is the oldest professional association for LGBTQIA+ people in the United States. It figures that librarians came up with this first. We're just wonderful!

I will take this opportunity to tell you that, if attending a convention where everyone is as passionate as you are about all the amazing things about our job looks fun to you, you might just want to try to attend the AASL National Conference in Tampa this fall. 


It is the only national conference focused solely on school librarians’ unique and critical role in Prek-12 education, according to their website, and I believe it! Also, the Florida school librarians told us that having a huge group of school librarians descend on the city would be an eye opening experience for those in Florida who are indifferent at best and antagonistic at worst to what we do. 
Consider joining us!

Tuesday, March 21, 2023

Graphic Novels

Class Act, Heart Stopper Dragon Hoops, just like I asked for!

Craft, J. Class Act, (2020) New York, NY: Quill Tree Books, HarperCollins Publishers. 

Oseman, A. Heart Stopper, (2020), New York, NY: Graphics, Scholastic. 

Yang, G. Dragon Hoops, (2020), New York, NY: First Second, Roaring Brook Press. 

These are all very school-centric graphic novels and as a 18 year public school educator I can say with full confidence that they all get it 100% right. 

I have not read New Kid, Jerry Craft’s precursor to Class Act and I figured that if I was confused I would go back and read it, but Class Act pulled me in right away and kept me engaged enough to read it in one sitting. Craft deftly touches on different perceptions of race and class, the damage caused by microaggressions and the impact of socioeconomic difference among friends while keeping his characters adorably realistic and his story tremendously entertaining!

It is actually a law that every review of the book Heart Stopper has to use the phrase swoon-worthy, and with good reason. This first love story is just that. The feeling of uncertainty, excitement and longing is perfectly rendered. The fact that it is two boys in an English public school, one of whom is very straight-seeming, just turns the simmer up a notch. This book won the Mass. Teen Choice Book Award last year in a landslide. 75% of the students in my school who took part voted for it, and that was before the Netflix series was released, which has only broadened its popularity. If you don’t go directly from book one all the way through the available titles (and then go onto the webcomic for yet to be published panels) you are clearly dead inside. 

Dragon Hoops is a gift from Gene Luen Yang to librarians everywhere. The combination of high school basketball, real life teen issues and the graphic novel format makes this a sure sell. It is thick, which can put off reluctant readers, but as soon as they see the panels, they are sold. This is Yang’s story of making the leap from high school teacher to full time graphic novel writer combined with the 2014-15 championship season of the Dragons - the basketball team at the school where he teaches. You wouldn’t think those two themes would mesh, but they really do. It is a great look at the background of the team (including a shocking look into allegations against one of the coaches that is handled perfectly) illustrated by a man who is trying to decide the future trajectory of his life.

All three of these are great for hooking readers and enlarging their world views.


Illustrated Books for Young Adults

Starry.ai is not killing it here...
Myers, W. and Grifalconi, A. Patrol, (2009), New York, NY: Henry Holt and Company. 

Preston, C. The War Bride’s Scrapbook, (2017) New York, NY: Ecco, HarperCollins Publishers.

Reynolds, J. and Griffin, J.  Ain't Burned All the Bright, (2022), New York, NY:Atheneum/Caitlyn Dlouhy Books

These were an interesting collection to read together. 

Patrol is a straight-up picture book by the great Walter Dean Myers that is based on his time in Vietnam. He also touched on his experience in his work Fallen Angels, which, likely due to its verisimilitude, is on ALA’s frequently challenged book list. 

The text reads like a sad, sad poem and even though it isn’t text heavy, it conveys a great deal. The collages by Ann Grifalconi are powerful and emotionally evocative. At first, I thought it would be easy for this work to be mistaken for a children’s picture book, but on the second page, the reference to how the enemy “knows I am here to kill him” would hopefully put off any kids too young to understand the context. 

Speaking of brief text, Ain’t Burned All the Bright has only three sentences. And yet there is a tremendous amount of power in them. I read this book in a brew pub waiting for a librarian meet-up to start and when my first colleague showed up, he found me with tears streaming down my face. The combination of the covid-era lock-down setting with the background of the ill father, the tense mother, the older sister who is longing to change the world, the little brother falling behind and the narrator observing it all makes for a tsunami of emotions in a beautifully illustrated package. 

Call me shallow, but The War Bride’s Scrapbook was my favorite in this very strong field. I first encountered Caroline Preston through the delightful Jackie by Josie and her work as an archivist was visible in that work. Here she takes her collection of WW2 era ephemera and turns it into a compelling and informative story. This and her other visual novel The Scrapbook of Frankie Pratt (equally adorable, but without as much emotional heft) are both cataloged in my library consortium as adult graphic novels, but I believe they both have teen appeal.

BECOMING RGB by Debbie Levy, illustrated by Whitney Gardner

Levy, D. and Gardner, W. Becoming RBG, (2019),  New York, NY:Simon & Schuster Books for Young Readers.

Amy Santiago is one of my favorite fictional characters. She is a police officer on the show Brooklyn 99. Throughout the series, her character grew from a brown-nosing know-it-all to a fleshed out comedic delight. As a brown-nosing know-it-all, her character arc meant a lot to me. Hopefully, as we mature, we become more aware of how we are perceived by others and are able to reign in our more irritating attributes. 

I feel like Ruth, as portrayed in Becoming RGB, never managed to do this. She was PERFECT! And I adore RGB the human. And I actually really enjoyed this graphic biography. But I never felt like I got to like this Ruth. I think that the problem is that the secondary characters, primarily her mother and husband, were so fleshed out, where she was just brilliant, hard working and driven. Even Antonin Scalia seemed more like a real human than she did. 

This is not to say that this book isn’t fantastic, it is! It gives the facts of RGB’s life in an interesting narrative, I loved the look into her childhood and her marriage and the trajectory of her career. I know it is asking a lot of this format to bring her to life. 

Well, it is time for the SHUT MY MOUTH section of this response! I am a person who usually just focuses on text and doesn’t give much time to the pictures. Well, I just flipped back through the book to see if there was a part where I felt Ruth’s spirit on the page and I looked at the illustrations and there she was! The picture of her as a young mother sitting exhausted in a chair brings back the exact feeling of being a young mother sitting exhausted in a chair. Kudos to Whitney Gardner for making her emotions so visible. 

If you will excuse me, I need to go back and reread this with my picture glasses on!


HOW WE GOT TO THE MOON by John Rocco


Rocco, J. How We Got to the Moon,  (2020), New York, NY: Crown Books for Young Readers. 

This was a complete joy to read. The author/illustrator, John Rocco, spent much of his career as a Disney Imagineer and it shows. The illustrations are detailed and engaging. They have a feeling of movement to them that is ingenious. The text does its job exactly as intended and gives plenty of detail without being overwhelming. 

The book could easily be an entire course. As a matter of fact, as I read it, I started writing curriculum in my head. (What is wrong with me??) 

Rocco format changes up throughout the book in a way that will appeal to all kinds of readers. He features problem/solution scenarios, history, schematics, timelines, and he features individuals who were involved in the process out of the usual narrative sightline. He highlights people from groups that are not generally represented in the Apollo story. 

My husband is a giant NASA nerd and as a result, I know a lot more about the space program than I care about, but I kept coming across interesting details that were new to me. There is a strict “no reading out loud no matter how good it is” policy in my house, but my enjoyment of the book was so visible, that my spouse asked to look it over, which is nearly unheard of.

My only complaint about the book is the $30 price tag. Don’t get me wrong - it is worth every penny! But a class set would be completely unaffordable for any public school. But every school library K-12 would be well served to have a copy of this on their shelves.


Thursday, March 16, 2023

ALL THIRTEEN: THE INCREDIBLE CAVE RESCUE OF THE THAI BOYS' SOCCER TEAM by Christina Soontornvat


Soontornvat, C. All 13: The Incredible Cave Rescue of the Thai Boys Soccer Team, (2020), Somerville, MA: Candlewick Press. 

This book is excellent. I know this to be true. That being said, I could care less about it from a personal perspective. Luckily, I am not a 7th grader! I think those kids will eat it up. It won a Siebert honor and a Newbery honor which says a lot about the quality. The story is zippy, the text is a manageable size and the pictures are immediate and fantastic. The size of the book will likely appeal to the kind of kid who wants to look like they are reading big books, but it also has great readability. 

I don’t love that there doesn’t seem to be a paperback in the works, at least according to the publisher. So many great middle grade nonfiction books really drag their heels on the path to becoming more affordable. 

The book reads like an adventure story, but it factors in that there are a lot of areas that kids might be compelled to learn about in addition to that narrative. Sections on “Buddhism in Thailand” and “Human Responses to Levels of Oxygen Concentration” add interesting color to the rest of the story. 

This book would have made more of an impression on me if I hadn’t read it right after John Rocco’s How We Got to the Moon, which is a masterpiece. That being said, any elementary or middle school library would do well to purchase this. It is a great conduit to teaching kids about religion, the human body, diving, rescues, soccer and any number of other interesting topics in a slick, smart package.


Saturday, March 11, 2023

WE ARE NOT FREE by Tracy Chee


Chee, T. We Are Not Free, (2020) Boston, MA: Houghton Mifflin Harcourt. 

12 and up according to Amazon

If I had a dollar for every time a kid checked out We Are Not Free thinking it was a resource for their research paper about Japanese internment camps, well, I could probably get a grande latte at Starbucks at least. This book was on the Mass. Teen Choice Book Award list last year and everyone on the committee voted for its inclusion, which is extremely rare. 

The story is told in 14 different voices, each of them distinct and beautifully written. I listened to the audiobook version which was read by 11 different readers - all of Japanese descent. The characters’ monologues were interspersed with government documents and newspaper articles. The print version also had a handful of photographs, artifacts and illustrations. 

What I loved about this book is how it humanized all the kids and made them feel like real teenagers. Sure, they were being horribly treated by the government and their fellow citizens, but alongside that epic tragedy, they still had the everyday aspects of life - unsupportive parents, unrequited love, all the classics. And each kid felt like a real individual. I don’t know how much of that was the different voices and how much was the writing, but I believe they went hand in hand. 

This is a beautifully done book that was selected as a National Book Award finalist as well as a Printz Honor Book - and with good reason. I would recommend it for inclusion in any high school collection. It has been awhile since I read it, but I believe it is also middle school appropriate. From a curricular standpoint, it beautifully illustrates the impact of a draconian policy on teenagers in a way that would be accessible to modern teens.


Wednesday, March 1, 2023

CATHERINE'S WAR by Julia Billet, illustrated by Claire Fauvel

https://collections.ushmm.org/search/catalog/pa1156451

Billet, C. Catherine’s War, (2020), New York, NY: Harper Alley, HarperCollins Publishers. 

Reading age ‏ : ‎ 8 - 12 years / Grade level ‏ : ‎ 3 - 7 according to Amazon

Catherine’s War is really Rachel’s war, but as a Jewish child trying to survive the holocaust, Catherine is a much safer name. The story is fairly linear and the visuals are amped up by the inclusion of Catherine/Rachel’s “photographs.” Generally when I am reading a graphic novel, I have to remind myself to consider the visuals, but this one demanded I look. 

The book was excellent at showing the depths of the war without being overtly violent. It looks more at the emotional trauma of a child survivor. The story is loosely based on Billet’s mother, who was much younger at the time, but was a student at the children's home in Sevres.

I have read a lot of YA and middle grade fiction about the holocaust, so there was not much here to surprise me except for the pedagogy of the Sevres children’s home. I loved it! The idea of students having so much autonomy over their education is fascinating to me. I was a little disappointed to discover this information on the school, “Great importance, then, was placed on personal observation, artistic expression, creativity, and individual autonomy. Yet the emotional shortcomings and artificial nature of this life without any contact with the outside world meant that many of its students had great difficulty adapting to adult life.” (Maurel, 2008).

I blame the war, not the pedagogy!

This book is an excellent work of historical fiction that got me thinking.


THE BLACK KIDS by Christina Hammonds Reed


Reed, C. The Black Kids, (2020) New York, NY: Simon & Schuster Books for Young Readers. 

grades 9-12 according to Amazon

“People glorify protest when white kids do it, when it’s chic, frustrated Parisian kids or British coal miners or suffragettes smashing windows and throwing firebombs at inequality. If white kids can run around wearing their bodies like they’re invincible, what do the rest of us do? Those of us who are breakable. Those of us who feel hopeless and frustrated and tired and sick of feeling this way again and again? Sometimes we just go ahead and break ourselves.”  

“I can’t tell if loneliness is being black, or being young or being a girl or if Lucia’s right and I need new friends. I don’t know. 

‘It might be lonelier / Without the loneliness,’ Emily wrote.

And she was white as shit.”

Those two quotes exemplify what I love about The Black Kids

This work of historical fiction, set in 1992 (when I was already an adult - please excuse me for a minute while I re-up on geritol and stool softener) looks at the Rodney King verdict and the response in Los Angeles through the eyes of a high school senior who is a black girl in a predominantly white upper-class school. Her parents are strivers who want nothing more than for their children to have a longer, sweeter childhood and better options for the future. They have achieved the American dream. Their kids are “soft.”

There is a lot going on in the book but what I loved is the way that the different threads strengthened each other. The parallel between Grandma Shirley’s likely mental illness and Jo’s is subtle but telling.  The way Ashley connects with Micheal vs. the way she connects with LaShawn is lovely. And the differences between Ashley’s old, gold mean-girl friends and the kind but messy Lana and the “black kids” is nuanced. 

I had to stop reading this for a couple days when I realized it was time for prom and the foreshadowing that something was definitely going to go down was overwhelming. The book didn’t pull punches. Ashley got a close up look at how racism is ingrained in society and it propelled her into a more thoughtful look at the burning of L.A. 

For a book about friendship where Ashley spends little or no time alone, there is a pervasive feeling of loneliness that seems to stem from her search for an identity that she can be proud of. 

This is a fascinating story set at a time in history that looked very different depending on your perspective. The differences between how Ashley perceives the riots as opposed to her formerly sheltered sister and her knowing cousin gives an excellent overview. 

This book broke my heart and educated me and it will do the same for teens who pick it up.


Friday, February 24, 2023

THE DAUGHTERS OF YS by M.T Anderson and Jo Rioux


Anderson, M. Daughters of Ys, (2020). New York, NY: First Second. 

13-17 years according to Amazon

I love M. T. Anderson! We have been friends for over 20 years. Okay, Facebook friends, but he would know me in real life! I have slept over at his house  - hell yeah, I’m going to drop that name! He is in the pantheon of talented YA writers and has such a breadth of topics that he is incomparable. Feed was a game changer for YA. His National award winning Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume I: The Pox Party is a masterwork. Heck, even his deceptively light Landscape with Invisible Hand was made into a film that premiered at Sundance this year. 

That being said, I didn’t love Daughers of Ys. 

It is beautiful to look at. Jo Rioux has so much movement in her drawing, and her color palette is perfect for showing the differences in the sisters. And the story is interesting and beautifully written. A review from NPR made a connection that I just loved - “Rioux also borrows the glowing lights and velvety shadows of Maxfield Parrish's work for certain scenes, including a wonderful interlude set inside a circle of standing stones.” (Lehoczky, 2020) It’s a feast for the eyes. I think it was just too murdery for me. 

The idea of two sisters, a dead mother, a father who is weak but plays strong - it has a lot going for it and according to Lehoczky, the original Breton tale is far more misogynistic. But I feel like Rozenn is too good to be true and Dahut is slut-shamed (and I guess murder-shamed) for things that are outside of her control. 

As I think back, I read this a few weeks ago when I had a bad cold and perhaps it wasn’t the right book at the right time. And flipping through the pages, I am practically reading it again with a much more enchanted eye. Perhaps I have erred and I do like it after all!

From a school library perspective, it makes me sad that the bare cartoon bums would be much more of a content problem than, you know, the murders, but that is the world we live in. Still, and art class could definitely benefit from looking at Rioux’s work and an ELA class could discuss this more feminist retelling of an old folktale. 

Lehoczky, E. (August 16, 2020) Feeling Deluged By News? Let 'The Daughters Of Ys' Wash Over You. NPR.